Episode 39--Ahh! Director Feature: Tobe Hooper

Share:

Listens: 0

Ahh! Real Films

TV & Film


Welcome ladies, germs, and people of all genders! Join Taylor & Curtis as we discuss a misunderstood and under appreciated horror legend, the recently departed (Rest in Power!) Tobe Hooper. Specifically, we take a look at four of his more overlooked - rightly and wrongly - films, i.e. not TCM or Poltergeist. Do Taylor and Curtis discover some hidden gems or simply subject themselves to rightly derided stinkers? Can a movie about a haunted laundry somehow entertain? And is cooking hard boiled eggs and appropriate mechanism for combating depression? Listen in and find out!Want to learn more? Check out some of the sources we used for this episode:"They Came. They Sawed." https://www.texasmonthly.com/articles/they-came-they-sawed/"A TALE OF TWO CHAINSAWS: HUMOR AND HORROR IN THE FILMS OF TOBE HOOPER," https://www.rogerebert.com/balder-and-dash/a-tale-of-two-chainsaws-humor-and-horror-in-the-films-of-tobe-hooper"Watch: How Tobe Hooper Dissolved the Limits of Genre," https://nofilmschool.com/2017/10/watch-how-tobe-hooper-dissolved-limits-genreAnd, finally, if you're wondering why we go on a minute-long tirade about wanting Bernie to be our daddy, please see this follow tweet from the Twitter Hall of Fame: https://twitter.com/govmikehuckabee/status/1172333956252893184?lang=enPlease connect with us on Twitter: @ahhreelfilms or Instagram: @ahhrealfilms, or drop us a line to let us know how we're doing, or to suggest a future topic or film to discuss: ahhrealfilms@gmail.com. Please remember to rate, review, and subscribe!You can also now find us both on Letterboxd! Follow us on our horror journey and occasional forays into romcoms (because let's be real).Taylor: @happydeathtayCurtis: @let5groove2nit3Films Covered: Salem's Lot (1979), The Funhouse (1981), Texas Chainsaw Massacre 2 (1986), The Mangler (1995), The Clovehitch Killer (2018), Come to Daddy (2020), Fantasy Island (2020), Parasite (2019)Books Covered: Where the Crawdads Sing, Delia Owens