Episode 27 - Interview with Susie Burpee - Dance Artist, Scholar and Advocate for Caregivers in the Performing Arts

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Talking Sh*t With Tara Cheyenne

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Show notes below:   Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com    © 2021 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links:  Balancing Act: http://balancingactcanada.com/ Intersections of Care: https://www.cda-acd.ca/docs/Regional%20Activities%202020%20-%2021/Artist%20Caregiver%202021/Intersections-ENG.pdf Dance Makers: http://dancemakers.org/ Susie Burpee:   http://susieburpee.com/   About Susie: Active in the performing arts in Canada for over 25 years, dance artist Susie Burpee is a performer, creator, teacher, and mother to two young children. She danced for many years with Dancemakers, Le Groupe Dance Lab, and Tedd Robinson (10 Gates Dancing) and recently with Hanna Kiel (Human Body Expression) and Alyssa Martin (Rock Bottom Movement). Augmenting her dance training with studies in Bouffon and character work, Susie has collaborated on projects with Crow’s Theatre, Dusk Dances, Nightwood Theatre, and with longtime colleague Linnea Swan. Her work has received Dora Mavor Moore Awards for both Outstanding Choreography and Performance and she is a recipient of the K.M. Hunter Artist Award for Dance. Susie is on guest faculty at many post-secondary dance programs across the country, and in 2020, she completed a Master of Arts in Drama, Theatre, and Performance Studies at The University of Toronto.  She is originally from rural Manitoba, a second-generation settler on the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples, and on the homeland of the Métis Nation. Since 2001, Toronto/Tkaronto has been her home; she now works there with Theatre Direct as producer of Balancing Act, a national platform to support caregivers in the performing arts.  About Tara: Tara Cheyenne Friedenberg is an award winning creator, performer, choreographer, director and writer. Artistic Director of Tara Cheyenne Performance, she is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level"(The Georgia Straight). Tara is celebrated nationally and internationally for her unique and dynamic hybrid of dance, comedy and theatre. The string of celebrated full-length solo shows to her credit includes bANGER, Goggles, Porno Death Cult, and I can’t remember the word for I can’t remember, and she partners regularly on multidisciplinary collaborations, commissions and boundary-bending ensemble creations. When she isn’t creating innovative movement for theatre, Tara performs around the world- highlights include DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, and High Performance Rodeo/Calgary. Recent works include The Body Project (premiering 2020/21 season) The River with dance artist Miriam Colvin and artist and activist Molly Wickham (premiering 2021 in Wet'suwet'en Territory), empty.swimming.pool with Italian dance/performance artist Silvia Gribaudi, (Castiglioncello, Bassano, Victoria, B.C. and Vancouver, B.C.), how to be (Vancouver, B.C.) , and I can’t remember the word for I can’t remember (currently touring). Tara lives on the unceded and traditional territory of the xʷməθkʷəy̓əm (Musqueam), səlil̓wətaɁɬ (Tsleil-Waututh) and Sḵwx̱wú7mesh Úxwumixw (Squamish Nation)/East Vancouver with her partner composer Marc Stewart.