Inspired by shooting with so many of his comic creator heroes, late bloomer (and Definitive Film’s resident cinematographer) Isaac Elliott-Fisher begins his burgeoning career as a comic artist himself and invites the world to watch.
Things have been busy with many movie projects, some of which have designs to be discussed here in future episodes. This episode explores some of the ...
Isaac is back with three new drawings. This time he talks about design and workflow while dissecting a piece he drew twice over, so he could build on ...
Following up on episode 9 this is a continuation of the same piece in the inking stages. I talk a little bit about what I was focusing on in this imag...
In this episode I am experimenting with a new format for the show that I might drop in from time to time while working on longer pieces like this. I f...
Apologies for the lower quality audio, there were some technical difficulties. In this episode I get started on an all new piece in what I would call ...
PART 2 Just days before we hit the road on our latest Definitive Film documentary project I cranked out a Masters of the Universe poster piece for the...
PART ONE Just days before we hit the road on our latest Definitive Film documentary project I cranked out a Masters of the Universe poster piece for t...
In the last episode I was reviewing my development as an artist through the characters of Benson and Cactus. This episode continues that review and lo...
Benson & Cactus and a guy learning how to draw, we are back again. This time we are exploring the development of Benson & Cactus, a story concept inv...
Inspired by shooting with so many of his comic creator heroes, late bloomer (and Definitive Film’s resident cinematographer) Isaac Elliott-Fisher begi...