If you're familiar with Lightroom, you know what Split Toning is: pushing the shadows and highlights of a shot towards different hues. Who said it can...

It's almost Christmas and I did the Santa last year. What's left? Snow! So this week, we're going to add snow to an image and we'll use a couple of ad...

Starting January 1st, I'll have a new job. While that's a good thing, it also means a lot more work. So more work plus wanting to spend time with my f...

This week, we'll continue creating a semi-transparent video progress bar as you know them from Youtube et. al. Last week, we created the background el...

This week and next, we'll create a semi-transparent video progress bar as you know them from Youtube et. al. We'll create the elements in Marquee, the...

This week, another viewer suggestion: We'll create the high-contrast, saturated look that is common to many sports trailers. We'll also play around wi...

This week, we'll make footage look like it has been shot with a surveillance camera by distorting and degrading it. Plus, when we switch "cameras", we...

In this last episode in the audio series, I'll show you how to apply audio effects in Media Composer and a couple of neat real-world tips (like limiti...

This week, we'll look into Avid's EQ Tool. It's pretty basic (look for more powerful EQs in the AudioSuite), so'll we'll cover what it can and can't d...

There's more than one way to manipulate audio in Media Composer (no surprise there, there's more than one way to do pretty much anything in MC). So th...