What a treat to welcome photographer Ami Vitale to the B&H Photography Podcast. Vitale is mustering her high profile as a National Geographic photographer, as well as the talents of eighty-nine other incredible photographers, to raise funds for Conservation International. The Prints for Nature Sale runs until December 10, 2020 and offers gorgeous gallery-quality prints at a very affordable price. Please check this link for more information and to support this worthy initiative. We also speak with Vitale about her career trajectory and commitment to telling the stories of endangered species and the humans around them. We discuss her work photographing Sudan, the last male white rhinoceros in existence, and her incredible series about pandas in China. We also ask Vitale how she bridges the gap (or perceived gap) between journalism and advocacy photography and about her commitment to long-term engagement with the stories she covers. Vitale also addresses the changing dynamics of print journalism and the need to find funding for her projects, and we briefly mention her work as a Nikon ambassador. The dearth of tourism to many protected wildlife parks around the world due to the COVID-19 pandemic has brought conservation efforts to a crisis point and the Prints for Nature Sale, with images by Art Wolfe, Steve Winter, Pete McBride, Alison Wright (all past guests of the podcast) and many other great photographers, is a way that lovers of wildlife and of photography can help. Guest: Ami Vitale Photograph © Ami Vitale

B&H Photography Podcast

Ami Vitale and the Prints for Nature Sale

On November 22 and 23, B&H will host the 2020 OPTIC All-Stars Conference, with a stellar list of outdoor, travel, and adventure photographers giving online presentations and, on this week’s episode of the B&H Photography Podcast, we are pleased to welcome one of those photographers: Rachel Jones Ross. Ross is landscape and night sky photographer based near Banff, in the Canadian Rockies, and our conversation with her is rife with practical tips for shooting in the mountains and with suggestions to improve your night photography. For starters, we speak with Ross about her workflow as it pertains to planning her shoots, which often require long hikes into the mountains. We discuss the apps she uses to gather information on weather, trails, and the night sky. We also ask about staying warm in sub-zero temperatures and find out that her most important piece of gear are her Heat Company gloves. From there we discuss basic (and not so basic) techniques for star and night sky photography, including tips on composition, focus, and focus stacking, including a handy “sharp star” filter for accurate focus. Because Ross is also a well-respected educator, we discuss transitioning to online workshops during the COVID pandemic, her “Night Photography in your Pyjamas” course, and she offers a preview of her OPTIC All-Stars presentation. We also discuss her go-to gear and how she decides which cameras and lenses to use for particular locations. Ross is a member of the Sony Alpha Imaging Collective and she relates her preferences for the various Alpha series cameras and when and why she’ll decide to use a Sony 16-35mm zoom lens or a Zeiss Batis 18mm or Zeiss Loxia 21mm lens. There is a lot of solid information as well as practical tips enmeshed in a very pleasant conversation with the wonderful Rachel Jones Ross. Join us for the episode and register for the free 2020 OPTIC All-Stars. Guest: Rachel Jones Ross Photograph © Rachel Jones Ross

Night Photography in the Rockies, with Rachel Jones Ross; OPTIC All-Stars Preview

Eight months ago, on the B&H Photography Podcast, we welcomed four photojournalists who were covering the beginning stages of the COVID-19 crisis in New York. We discussed their fears and the stories they hoped to cover; we also discussed safety precautions, limited access to subjects, and altered workflows. It was the beginning of a new reality. On today’s episode, we welcome back two of those photographers—Desiree Rios and Sarah Blesener—for a follow-up conversation on how their work has evolved since March. We first welcome Desiree Rios, who photographs for the New York Times and Wall Street Journal.  We speak with Rios about her daily assignments covering the effects of the pandemic in New York, primarily in the Bronx. We talk about using her work as a support for the community, about building solidarity with the people she photographs, and about trying to tell deeper aspects of a story with daily news images. We also marvel over how attitudes about masks and PPE were so different in March. After a break, we speak with Sarah Blesener.  She also works for the Times and WSJ, but thanks to a commission from the International Center for Photography and a grant from National Geographic, she was able to focus on a long-term project over these months. Specifically, she photographed her eighty-year-old landlady and how she, along with the neighborhood community she is a part of, came together to withstand the effects of the pandemic and shutdown. Blesener relates how she came to appreciate working in a less intimate and less spontaneous manner than normal, how she avoided risky assignments to not risk infecting her landlady, and how the project grew to involve the neighborhood and became a very optimistic story, despite the situation. This series is currently on exhibition at ICP.    Join us for this topical and interesting conversation on the evolving role of photojournalism during 2020.   Guests: Desiree Rios and Sarah Blesener Photo: Desiree Rios

Covering COVID-19: A Follow-up Conversation with Desiree Rios and Sarah Blesener

Our guest on this week’s episode of the B&H Photography Podcast is Sam Hurd. While he is primarily a wedding photographer, I have no doubt that he could photograph anything and make it look interesting. Hurd is also a portrait photographer; he dabbles in landscape work; and is a passionate photo educator. A few minutes listening to this episode and it becomes clear that he can articulate his process as well as he can execute it. He offers “deconstructions” of his images for his Patreon followers and teaches his style, technique, and gear, but today we focus on his “side hustles,” on the methods and platforms he uses to engage with clients and make extra money from the wedding photography he is already doing. We start by discussing his Patreon platform and how he uses his wedding-photography images and insights to build a following of “patrons,” who pay monthly subscriptions to follow his tutorials. We then jump to Stocksy, and how his well-curated set of stock images, mostly taken at weddings, creates an additional revenue flow. He also speaks of DVLOP, which is a site that markets presets that he has created while processing his wedding work. Of course, each of these ancillary platforms flows into and out of each other not only to gain him clients but to improve his photography. He mentions several times how the challenge of producing interesting tutorials has forced him to be more inventive. Despite a very simple kit when shooting weddings, Hurd is also a self-described gearhead and he and Allan bond over their love for vintage glass and discuss recent purchases, including the Hasselblad 907X 50c and the Canon R6. Finally, we touch on Hurd’s first professional gig, as the staff photographer for the National Press Club, some of the famous faces he photographed, and the odd but practical practice techniques he developed to practice his portraiture. Join us for this very informative episode. Guest: Sam Hurd Photograph © Sam Hurd

Podcast: Side Hustle - Additional Revenue from Your Photography, with Sam Hurd

In the 1970s, under the aegis of the Great Society’s Model Cities Program, photographer Earlie Hudnall, Jr. began to document the predominantly African American neighborhoods of Houston’s 3rd, 4th, and 5th wards, and for more than forty years he has continued to create an indelible portrait of life in these neighborhoods. To be sure, Hudnall has photographed all around the world, and worked for years as the photographer for Texas Southern University, but it is his images of the people of Houston that we discuss today and which are included in his current exhibition at the Photographs Do Not Bend Gallery in Dallas, running through October 31, 2020. On this week’s episode of the B&H Photography Podcast, we talk with Hudnall about the relationship between the stories he tells with his images and those he grew up with in his native Mississippi; how the tradition, culture, and community of his youth reveal themselves in the faces and facades of modern Houston. We also talk about his organic approach to photography and how respect for his subjects informs his process, and eye contact and body language are tools to connect with people on the street. Hudnall is old school—he works with digital cameras when needed—but his Hasselblad and Nikon film cameras are his primary tools and he relates why he chooses one over the other to make a  particular image. Hudnall also prints his photographs, so we talk about sourcing supplies, Ilford paper, and darkroom techniques. And while we do get into camera talk and a “sweet, sweet, sweet, soft Rolleiflex,” much of our conversation with Hudnall focuses on how memory and inspiration react in a moment to create a powerful image and how staying sensitive to your surroundings will serve your imaging. It is a joy to listen to Hudnall; please join us for this conversation. Guest: Earlie Hudnall, Jr. Photograph © Earlie Hudnall, Jr.

Earlie Hudnall, Jr. -- Life as I See It

Recognized as a premier headshot and portrait photographer, Peter Hurley has quite the tale to tell. His work is known for the genuine expressions he captures, and he has grown his business into an international organization. He is also an in-demand speaker and photo educator, but Hurley has an interesting “origin story” when it comes to photography, and we will discuss how he went from being a competitive sailor to a model to a photographer and how sailing remains an integral part of his creative life. This week’s episode of the B&H Photography Podcast is a casual but insightful conversation about life’s twists and turns taking you to a place you never expected and how being open to challenges and to advice can motivate creativity. Sometimes “failing” is the best way to find your success, and Hurley tells us about competing for the U.S. Olympic sailing team and how accepting opportunities that seemed far from his initial goal led him to photography. We also talk about how he turned his headshot business into the “Headshot Crew” and now coaches and disperses work to a network of photographers around the world. Throughout the conversation, we touch on tips to improve your own portrait and headshot game and Hurley mentions the lighting kit he has created with Westcott. We also discuss the “10,000 Headshot” project, for which he helped to organize his network of photographers to aid folks left unemployed by the COVID-19 pandemic. With the support of Canon and others, members of the Headshot Crew have photographed thousands of people, creating free headshots for anyone out of work. And as we discuss, a quality headshot is increasingly important in the “work from home” era. Join us for this enjoyable conversation. Guest: Peter Hurley Photograph © Peter Hurley

Peter Hurley – U.S. Sailing Team and 10,000 Headshots

On this week’s episode of the B&H Photography Podcast, we welcome collector, curator, author, and educator W.M. Hunt. Part of the incredible photography collection Hunt has acquired over the years is being auctioned by the famed Christies auction house, and Hunt joins us to chat about the genesis of his collection, that hard-to-define attraction to an image that inspires a purchase, and his hopes for the current sale. The collection that Hunt is selling is called “The Unseen Eye: Photos from the W.M. Hunt Collection,” and it includes photographs by Richard Avedon, Sally Mann, Robert Frank, Diane Arbus, Robert Mapplethorpe, Henri Cartier-Bresson, a veritable Who’s-Who of photography of the 19th and 20th centuries. The collection was given its name because each of the photos has subjects whose eyes are obscured in some way, and we discuss why Hunt decided to collect such an eclectic group of images.  Hunt is also an author and educator, and we discuss the numerous monographs he has written, how to “let a picture find you,” and the visceral difference between a good and a great photograph. Join us for this insightful and fun episode. Guest: W.M. Hunt Photograph © Duane Michals, from “The Unseen Eye: Photographs from the W.M. Hunt Collection”, Courtesy of W.M. Hunt and Christies America

The Delirious Joy of Looking: Building a Photography Collection, with W.M. Hunt

This is an encore episode, originally published in 2018, before the death of basketball player, Kobe Bryant.  Today we welcome two of professional basketball’s best photographers, and that’s not just me talking. Nat Butler is Senior Photographer for NBA Entertainment and has worked the last thirty-three NBA Finals. He is also the official photographer for the New York Knicks and Brooklyn Nets. Andrew Bernstein is the longest-tenured official NBA photographer, the photographer for the L.A. Lakers and L.A. Clippers, a recent inductee to the NBA Hall of Fame, and the photographer of the new book, The Mamba Mentality, by Kobe Bryant. So, enough of the bona fides, these two photographers are also great friends, and they bring their easy-going banter and the ultimate insider’s perspective to the B&H Photography Podcast. Our conversation covers a wide range of topics, from the gear they use (and what they don’t), the lighting systems they’ve developed, the intimacy of basketball photography compared to other sports, and how fashion and social media has affected their day-to-day work. We also dig into the shooting strategies they employ for each game and how their images are used by NBA Photos. Butler noted that in the past, a cover photo on Sports Illustrated would have been seen by approximately 3 million subscribers and, now, with tethering and instant feeds, a game photo can be seen by up to 30 million subscribers to the NBA Instagram feed within five minutes of the photo having been taken. Whether you are into sports photography, event and production photography, or NBA history, this episode is for you. Guests: Nat Butler and Andrew Bernstein Photograph © Andrew Bernstein/ NBAE / Getty Images www.bhphotovideo.com/explora/podcasts www.mcdbooks.com/the-mamba-mentality www.instagram.com/adbphotoinc/?hl=en www.instagram.com/natlyphoto/?hl=en

Shooting Hoops—Basketball Photography with the NBA's Best (Encore Episode)

It is important to be reminded of the power of photography to educate and explore, and to be a vehicle of self-expression, even self-realization. Equally crucial—through process and through memory—photography’s ability to bring people together, to share and to collaborate, is vital.  On this week’s episode of the B&H Photography Podcast, we welcome a photographer who has built her life’s work around this idea of education through creative collaboration. For more than forty years, Wendy Ewald has lead documentary “investigations” and collaborative projects that encourage the participants to use cameras to examine their own lives, families, and communities, and to make images of their fantasies and dreams. During these projects, she also photographs—normally with a 4 x 5 camera—and asks her students and subjects to then manipulate her images and negatives, further engaging with the process and adding to the authorship of the final work. With support of the most prestigious fellowships, from universities, NGOs, even from camera and film manufacturers, Ewald has directed photography programs in South America, India, Africa, Canada, and most notably in Appalachia. In the 1970s, Ewald worked with schools and the Appalshop media center to teach photography to children living in rural Kentucky and in 1985 published the groundbreaking book Portraits and Dreams: Photographs and Stories by Children of the Appalachians. This book has been an inspiration to countless educators and community photographers and this year, Mack Books has published an expanded edition, which includes updates on the lives of several of the original students. Also, Ewald has co-directed a documentary film on the project and the reunion with her former students, which recently aired on the PBS program POV.  Join us as we speak with Ewald about teaching in Kentucky and elsewhere, about the power of collaboration and creative expression, and about reuniting with her former students and the making of her powerful documentary. Guest: Wendy Ewald Photograph © Russel Akemon, from the book, "Portraits and Dreams" by Wendy Ewald

Wendy Ewald: Photography Education and the Power of Collaboration

For the headline of this week’s episode of the B&H Photography Podcast, we lifted a line from our guest’s own Instagram bio. It would have been too easy to title a show with Walter Iooss, Jr. “Sports Photography Legend” or some such, but that pigeonholes Iooss too easily, and does not recognize the scope of his engagement with photography and with the creative process. Yes, Walter Iooss, Jr. is sports photography. He has over 300 Sports Illustrated covers to his name, his first professional gig was at age 17, and for six decades he has photographed several Hall of Fames’s worth of athletes, including names like Arnold, Mary Lou, Muhammad, and Tiger, and his work with Michael Jordan is unparalleled. Also—every Super Bowl. But he has also photographed rock stars, models, fashion and commercial assignments, portraits, and documentary series. And he tells us of his love for music and that if not for a twist of fate, he might have been a musician. The man is a creator for life, a photographer for life. With Iooss, our conversation takes a leisurely approach, touching on a few of his more memorable photos and some of the interesting lesser knowns; the breadth of his work alone could keep us talking for hours. Along the way, we learn a little about his upbringing, the love for music, his mentors, and the time he shot for Atlantic Records. We discuss how he builds a composition, whether it be an action shot during a game or a complicated portrait setup. We also talk about using a giant Polaroid camera, the coming of auto-focus, and Canon DSLRs. Join us for this pleasant conversation that is sure to interest not only fans of sports, but fans of photography. Guest: Walter Iooss, Jr. Photograph © Walter Iooss, Jr.

Walter Iooss, Jr. -- Photographer for Life

As museums in New York and around the world begin to reopen in the wake of the COVID-19 pandemic, a brand-new museum is facing the challenge of its grand reopening in the competitive New York City art and culture world. We welcome to the B&H Photography Podcast the inaugural Director of Exhibitions of Fotografiska, Amanda Hajjar, to discuss the unique model of this for-profit arts center and their plans to make a mark on the photography scene in New York. After opening in December 2019, Fotografiska New York was forced to close after just ninety days, and of course, we will also ask Hajjar how they handled the quarantine disruption and are adjusting to the new protocols placed on museums. Fotografiska New York is the third of three like-named museums, with more scheduled to open around the world. The original began in Stockholm, Sweden in 2010 and adopted a different paradigm than the traditional museum—it displays a wide range of photography styles, it has no permanent collection, and it works with the artists themselves to design the exhibitions. It also relies on admission sales as well as café, restaurant, and special event business to generate income. It created much buzz in the months before opening in New York, and its initial reviews were positive, for both its events and photo exhibition programming. We speak with Hajjar about their exhibition philosophy and how their model facilitates an institution able to react to and comment on current social issues as well as examine relevant images from the past. We discuss their attempt to create a hybrid between gallery and museum and shine a light on their current exhibitions, including works by Cooper & Gorfer and by Martin Schoeller. Finally, we get to the bottom of what the word Fotografiska really means. Join us for this enjoyable conversation. Guest: Amanda Hajjar Photograph: Courtesy Fotografiska

Fotografiska and a New Model for Photography Museums

This is a wonderful conversation for fans of mirrorless cameras, of classic lens design, of the venerable M-mount, and, really, of photography. The joy that our host Allan Weitz exudes while discussing a few of his current favorite lenses is as contagious as it is educational. And I feel that this episode provides a bolt of creative curiosity that might infuse my own photography. For this week’s episode of the B&H Photography Podcast, we asked Weitz to draw up a list of 10 favorite lenses from his personal collection. To be sure, these are not lenses sitting on a shelf or behind glass; these are accessible, affordable lenses that he incorporates regularly into his photography practice, but each has a certain signature or special feature that merits recognition.  Most, like the Voigtländer VM 40mm f/2.8 Heliar Lens for Sony E-Mount or the 7Artisans Photoelectric 50mm f/1.1 Lens for Leica M can be purchased new, while some, such as the Zeiss Hologon T* 16mm f/8 lens, are still readily found in the used market. Others, like the Nikon NIKKOR 50mm f/1.2 lens, are perennial favorites, while the Voigtländer Nokton 75mm f/1.5 Aspherical Lens seems classic but is relatively new to the market. While discussing these lenses, we stumble upon a mound of good photography chatter, including practical uses for these optics, tips for using extension tubes and mount adapters, notes on camera history, and plain simple fun facts. Toward the end of the episode we talk about the B&H Used Department, and Jason Tables and I share our current favorite lenses as well. Join us for this breezy but informative episode and let us know your favorite lenses in the Comment section below. Photograph © Allan Weitz  

Allan's Ten Favorite Lenses

On this week’s episode of the B&H Photography Podcast, we welcome editor, educator, and photographer Joan Liftin and Michelle Dunn Marsh, founder and publisher at Minor Matters. In the first half of the show, we speak with Liftin about her latest book, Water for Tears, and then we focus on Minor Matters and the unique business model this publishing house utilizes. We also discuss the person who brought them together, the late photographer Charles Harbutt.  Liftin was married to Harbutt and was his collaborator, and Marsh has recently published a book of Harbutt’s work and words, titled The Unconcerned Photographer. With Liftin we relate the genesis of Water for Tears, which is a sort of photo memoir—images from travel and family and fleeting impressions that tie together a lifetime. We discuss editing, sequencing, collaboration, and the subtle difference between narrative and story. We also talk about editing Harbutt’s work and, along with Marsh, about the making of The Unconcerned Photographer. After a break, Marsh elaborates on the publishing model they employ at Minor Matters—a hybrid of crowdfunding, support membership, and a direct, organic connection between artist, publisher, and consumer. Have a look at their catalog, which presents work from established photographers and new voices in the medium. Join us for this compelling discussion. Guests: Joan Liftin and Michelle Dunn Marsh Photograph © Joan Liftin

The Book Exists—Joan Liftin, Minor Matters Books, and “The Unconcerned Photographer”

One of the remarks that stuck with me from this week’s episode of the B&H Photography Podcast was Alison Rossiter’s casual mention, “I know how to rock a tray.” Rossiter is noted for her cameraless fine art photo prints, often made on expired photographic paper, some sheets dating back one hundred years or more. Her comment was a simple reference to how she guides developing solution over paper in the darkroom, but understanding the time and dedication she has put into her darkroom techniques, it seemed the ideal understatement for her refined yet simple processes, which include traditional photo printing, photograms, light drawings, and her current exploration, which enables vintage photo paper to speak for itself, processed and fixed, but free from the bullying dominance of projected light. With her ongoing exhibit, Substance of Density 1918-1948, at the Yossi Milo gallery, through September 26, 2020, Rossiter presents a “chronology of assemblages” made of expired photographic papers from her personal collection. Papers chosen from specific years create a minimalist narrative through three specific decades of the 20th Century, suggesting a relationship between these photographic “leftovers” and historical events of those years. The exposed photo papers are grouped and presented in such a way to form dynamic abstract compositions, made more contemplative by the paper’s own history. The work is a creative comment on a range of themes fundamental to 20th-century film photography: archival preservation, industrial production, physical and chemical degradation, social justice, and even the medium’s creative response to painting and sculpture. With Rossiter we speak about her darkroom techniques and supplies, about her evolution to cameraless photography, about sourcing expired paper, and the incredible gifts she has received in that regard. We also discuss the thrill of developing paper to find the clues of previous owners and the “fails” of the aged emulsion.  Primarily, we revel in imagination and the stories that can be told when the past speaks to us through the still verdant magic of the darkroom. Join us for this unique episode. Guest: Alison Rossiter Photograph © Alison Rossiter  

Becoming Sculpture - Cameraless Photography, with Alison Rossiter

We present a fun conversation on this week’s episode of the B&H Photography Podcast,, perhaps due to the midwestern charm of photographer Julie Blackmon and the matter-of-fact discussion of her wonderful tableau vivants of family life in middle America.  We also welcome back to the show gallery owner Robert Mann, who is currently hosting an exhibit of Blackmon’s photographs titled Talent Show. Mann was a guest on our show in 2018 when we spoke about the work of Australian photographer Murray Fredericks. The medium format compositions of Julie Blackmon infuse innocent playtime with a creeping sense of danger to create works with a wonderful dark humor. There is also a welcomed D-I-Y spirit to her work and we talk about the creation of her photos and the involvement of her own family and friends in the images; even photos that have up to twenty-five subjects are produced and organized with her sisters and fellow parents.  She is hands-on in all aspects of the work, including making the large prints herself. We also talk about her use of the Hasselblad H system and how she combines wide angle and normal perspectives in her detailed final prints. After a break, Robert Mann takes the lion’s share of the questions as we discuss the many challenges faced by photography galleries. In addition to the expense of a brick and mortar gallery and the proliferation of online viewing and sales, the COVID pandemic has forever changed the idea of a public art gallery.  Mann relates the decision to close his Chelsea gallery and receive collectors on a by-appointment basis, as well as his thoughts on creating editions and limiting prints and the general state of the fine-art photo market. Join us for this enlightening four-way conversation as we gain insight from the perspective of both the artist and the gallerist. Guests: Julie Blackmon and Robert Mann Photograph © Julie Blackmon

All in the Family with Julie Blackmon and the New Normal for Photo Galleries

Join us each week for a conversation with insightful and entertaining guests. From gear and technique to history, science and art, we discuss the topics most important to the contemporary photographer.

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B&H Photography Podcast

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