Musical Research at the School of Advanced Study

Nine Memos

Institute of Musical Research Mine Doğantan-Dack and Sebastian Comberti Mine Doğantan-Dack and Sebastian Comberti discuss the repertoire for cello and piano Supported by IMR, Middlesex University, AHRC Research Centre for Musical Performance...

Equal Partners? Piano-Cello Duo in Historical Context

Institute of Musical Research Performers - Sebastian Comberti (cello) and Mine Doğantan-Dack (piano) Sebastian Comberti (cello) and Mine Doğantan-Dack (piano) perform Serge Rachmaninov 'Cello Sonata in G minor op. 19' Supported by IMR, Middl...

Serge Rachmaninov 'Cello Sonata in G minor op. 19'

Institute of Musical Research Neil Heyde and Peter Sheppard Skærved Neil Heyde and Peter Sheppard Skærved discuss Ravel's Sonata for Violin and Cello (1922) in historical context [OTHER] Supported by IMR, Middlesex University, AHRC Research...

"Naked" instruments: Ravel's Sonata for Violin and Cello (1922)

Institute of Musical Research Performers - Peter Sheppard Skærved (violin) and Neil Heyde (cello) Peter Sheppard Skærved (violin) and Neil Heyde (cello) perform extracts from Ravel's Sonata for Violin and Cello (1922) – movements 2, 3, and 4...

Extracts from: Ravel's Sonata for Violin and Cello (1922)

Institute of Musical Research Mine Doğantan-Dack, Peter Collyer, Paul Archbold, Christopher Redgate, Neil Heyde, Peter Sheppard Skærved Round Table discussion with Mine Doğantan-Dack, Peter Collyer, Paul Archbold, Christopher Redgate, Neil Hey...

Round Table: The musical instrument in performance – chamber music contexts

Institute of Musical Research TITLE: The Geography of Possibility: Mapping the Future of the Past in Central Asian Music ARTIST: Theodore Levin DESCRIPTION: Lecture by Theodore Levin.m4v PRODUCER: Colin Still COPYRIGHT: Optic Nerve 2012

The Geography of Possibility: Mapping the Future of the Past in Central Asian Music

Institute of Musical Research TITLE: The body and the landscape in Kyrgyz poetics: topography resonance and image in contemporary Kyrgyz epic ARTIST: Stephanie Bunn DESCRIPTION: Lecture by Stephanie Bunn PRODUCER: Colin Still COPYRIGHT: Optic Ne...

The body and the landscape in Kyrgyz poetics: topography resonance and image in contemporary Kyrgyz epic

Institute of Musical Research TITLE: Russia Now ARTIST: Sir Rodric Braithwaite DESCRIPTION: Lecture by Sir Rodric Braithwaite PRODUCER: Colin Still COPYRIGHT: Optic Nerve 2012

Russia Now

Institute of Musical Research TITLE: East vs West: regional styles of dombyra performance and their representation in music practice and discourse in modern Kazakhstan ARTIST: Saida Daukeyeva DESCRIPTION: Lecture by Saida Daukeyeva PRODUCER: Col...

East vs West: regional styles of dombyra performance and their representation in music practice and discourse in modern Kazakhstan

Institute of Musical Research TITLE: Choreographing the Instrument, Body, and Ensemble ARTIST: Neil Heyde DESCRIPTION: Lecture by Neil Heyde PRODUCER: Colin Still COPYRIGHT: Optic Nerve 2012

Choreographing the Instrument, Body, and Ensemble

Institute of Musical Research TITLE: ‘The least expressive instrument’ (Harold Bauer, 1917) ARTIST: Mine Dogantan Dack DESCRIPTION: Lecture by Mine Dogantan Dack PRODUCER: Colin Still COPYRIGHT: Optic Nerve 2012

‘The least expressive instrument’ (Harold Bauer, 1917)

Institute of Musical Research TITLE: Narratives of Ancientness and Kazakh Nationhood in the Music of the “Turan” Ensemble ARTIST: Megan M Rancier DESCRIPTION: Lecture by Megan M Rancier PRODUCER: Colin Still COPYRIGHT: Optic Nerve 2012

Narratives of Ancientness and Kazakh Nationhood in the Music of the “Turan” Ensemble

Institute of Musical Research TITLE: ‘Music is nothing more than a Decoration of Silence’ (Marsilio Ficino, c.1485) ARTIST: Anthony Rooley DESCRIPTION: Lecture by Anthony Rooley PRODUCER: Colin Still COPYRIGHT: Optic Nerve 2012

‘Music is nothing more than a Decoration of Silence’ (Marsilio Ficino, c.1485)

Institute of Musical Research Musical Research at the School of Advanced Study Opera in the British Provinces in Late Victorian England Paul Rodmell (Birmingham)