A Consummate Actor: A conversation with Austin Pendleton on his life in the theatre, movies, television and much more

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Journey of an Aesthete Podcast

Arts


"I talk with veteran actor, write, producer, and teacher on his life in the art of acting." Inside the Episode with Mitch Hampton: "The diverse group of guests on our podcast encompass both those I have never met and only know from their work in what you might consider a "public" sense. Then there are those guests whom I have had the good fortune to know personally. I have never gotten to know the actor Austin Pendleton in a personal manner but I know for sure my first conscious awareness of him was most probably from his role in the Peter Bogdonavich masterpiece What's Up Doc (1972), which I saw on the big screen at the age of six, with Barbara Streisand and Ryan O'Neal.  I was not so fortunate to have seen his early 1970s musical or theatre work, yet it feel like I have seen him in so many television and movie productions as well as on Broadway (Doubles comes to mind from the 80s) and my now father produced his play Orson's Shadow, that I can confidently say that he has been such a large part of the world of both theaters, movies and t.v. that I feel that I grew up with him to the extent that one can group up with a "named actor."  I never dreamed I would have had the opportunity to speak with him on this context in my own podcast. Austin Pendleton is, among many other things, what sometimes people call the real deal. He is one of the greatest living actors, period, regardless of genre or style of production. He is also beloved as a teacher of acting and playwright and director in his own right. It is always an honor to be able to talk to someone who cells at what they do artistically, especially if they are as generous as is Austin, as well a clear about his own life experiences and what they have meant to him. " Austin's Bio Austin has appeared on, off and off-off Broadway, in such productions as The Diary of Anne Frank (with Natalie Portman), Fiddler on the Roof (the original cast, with Zero Mostel), Doubles (with Ron Leibman), Educating Rita (with Laurie Metcalf), Mother Courage (with Meryl Streep), Romeo and Juliet (with Lauren Ambrose), The Last Sweet Days of Isaac (for which he won an Obie and a Drama Desk Award), Hail Scrawdyke (for which he won the Clarence Derwent Award, a production directed by Alan Arkin), and in such roles as Richard III, Richard II, Hamlet, Uncle Vanya, Shylock and many others. He is also an Ensemble member at the Steppenwolf Theatre in Chicago and has acted and directed there and in many other regional theatres. He has acted in over 100 film and television shows. Film credits include My Cousin Vinny, A Beautiful Mind, 2 Days in the Valley, Finding Nemo, Searching for Bobby Fisher, Catch-22, The Muppet Movie, and many more.  Television credits include Homicide, Oz, Law and Order, Life on Mars, Miami Vice and many other shows. His Broadway directing credits include Spoils of War, The Runner Stumbles, and a Tony nomination for directing Elizabeth Taylor and Maureen Stapleton in The Little Foxes. His three plays (all published and all widely produced) are Orson's Shadow, Uncle Bob, and Booth; he has also written the book for a new musical called A Minister's Wife, in 2009 at Writers' Theatre in Glencoe, Illinois, and scheduled for production next spring at Lincoln Center in NY.  He is the star of Everyone's Carol, as Ebenezer Scrooge. He teaches acting at HB Studio in New York. Links to Austin's beautiful work: HB Studios , Steppenwolfe Theatre Everyone’s Carol Starring Austin Pendelton Documentary, Playbill --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mitch-hampton/message Support this podcast: https://anchor.fm/mitch-hampton/support