Arts
This week we take a look at the far too slanted battlefield on which people who want change in publishing are forced to fight--and how, rather than responding to each new publishing injustice on a case by case basis, we might try instead to change the terms of engagement in our favor. On the heels of the deceptive phrase “we came to publish, not to cancel,” we argue that even in accepting the implied definitions of either word we’re ceding crucial ground. Join us for a wide-ranging episode that covers everything from appropriation to publishing’s role as a producer of culture.