Each year, the Center hosts a series of lectures by visiting scholars on an annual theme, with a culminating "public" lecture in the spring that is aimed towards a general audience. Speakers represent a broad range of academic fields of study and historical periods.
Mélusine, a fourteenth-century snake-tailed woman who can fly, derives in part from medieval narrative traditions of fairies and mermaids. It is her e...
Virtually every discourse in the medieval period was constructed around the ideal of balance. In my recent book, A History of Balance, 1250-1375, publ...
It is not a new insight that what is probably the early fifteenth century’s most sustained and thoughtful response to Piers Plowman, the alliterative,...
Arguably few playgoers today are aware that Act 4 of Shakespeare's Romeo and Juliet ends with musicians engaging in badinage with a clown. Treated gen...
Especially if one views the “commedia dell’arte” in its relationship to Italian scripted comedy of the day, Shakespeare thoroughly absorbed the Italia...
The Catalan Dominican Ramon Martí (d. after 1284) was the most learned polemical author of the later Middle Ages. He was part of the thirteenth-centur...
The arrival of Girolomo Savonarola in 1490 had serious implications for the traditional public ceremonies in Florence as well as the practices of musi...
In the desperate winter of 1610, mass starvation reduced the settler population of colonial Jamestown from 500 to 60. This paper uses the specter of s...
This paper will trace attitudes to excessive consumption and fasting in the early modern period. By considering the church line on gluttony and fastin...
The music of early medieval Latin song has hitherto been known to only a handful of specialists. Notations survive in manuscripts from ecclesiastical ...