Bill and Naima Lowe's 97 Days Between is the third and final installment in Sonolocations, our three-part series of commissioned works with The Henry ...

Gradient, by Nat Evans with Will Hayes, guitar, and additional improvisations by the artist, was played using the sonic sculptural systems Andrew Fall...

Lori Goldston's "Miasms: For three instrumentalists, one audio technician, and piano that’s been dropped (min. 20’) and left to sit (min. 20 years)," ...

Chenoa Egawa's Enduring Rhythms: Seven Songs from the Skagit Valley is the second installment in Sonolocations, our three-part series of commissioned ...

The audiobook of Betsy Hanson's novel Always Gardenia, produced through the Jack Straw Artist Support Program, is now available on Audible, Libro.fm, ...

"Come on Jane" is the first single from Tekla Waterfield's forthcoming album New Skies, produced through the Jack Straw Artist Support Program. For mo...

Our recent exhibit Submergence: Going Below the Surface with Orca and Salmon, presented with the Endangered Species Coalition, included a soundscape o...

Alyssa Keene interviews Jack Straw New Media Gallery artist Rachel Lodge about her installation Transfigurations: Carbon Flow.

Byron Au Yong's Pomelo is the first installment in Sonolocations, our three-part series of commissioned works with The Henry Art Gallery. Hear and lea...

As part of her interdisciplinary Skid Road project, Jack Straw Artist Josephine Ensign conducted interviews with people who work and live at the inter...