We're back with a new season oof Legends of Tomorrow. If it feels like season 6 just ended, it's because it literally ended last month. And the show picks up like we never left. The Legends are stuck in the 1920's with no Waverider or Time Bureau technology. So what do the Legends do? First they start pretending like they're part of the circus to explain the alien invasion. Then they set off on a crime spree as bank robbers on their way to New York to try to find a professor that could help them with time travel. Oh and they accidentally kill J Edgar Hoover on the way. This season is off to the typical Legends start.  Also what makes this show work is how they're able to integrate new characters and keep everything fresh. Sara is the last of the original Legends but the crew still feels like the Legends, even with the new members. Everyone has a role to fill and play and it all works so well. Kriss and Dpalm record the Mailbag at the end of every month. If you want to send in your own questions and thoughts, email us: Mailbag@MTRNetwork.Net   Like what you hear? Subscribe so you don't miss an episode!   Follow us on Twitter: @Dpalm66 @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic:  https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!

MTR Network Main Feed

Legends of Tomorrow S7E1 Review - Super Tuesday Recap

Welcome back to the number 1 MLB Playoff Podcast! Just kidding, but we do talk just about everything else during this show - Fury/Wilder, WNBA Finals, Urban, Gruden, The NWSL, and all that there college football. Plus, NBA over/unders, and if you think that I've ever lost my gimmick on MY show, you're nuts. Guest: The Homie Mike   Like what you hear? Subscribe so you don't miss an episode!     Follow us on Twitter: @Dpalm66 @UDPod @TheMTRNetwork Want more podcast greatness? Sign up for a MTR Premium Account! Check out our Sponsors! TweakedAudio.com using the code ‘reviews’ to get 33% off & free shipping. Shop at our Amazon Store to support the site  

Duuuval + 2021 NBA Over/Unders - Unanimous Decision #211

If Saloum is an example of what we can expect from new distributor Lacmé Studios and director Jean Luc Herbulot, then the future is very bright for what we might be seeing coming out of African cinema over the next few years. Clocking in at only 84 minutes, Saloum is able to tell a compelling story that covers several different themes while also being interesting and entertaining story. Usually when a film is trying to do so much and has such a dramatic turn, it loses what it’s trying to say and confuses the audience. Either that or it just runs out of time to fully flesh out the story.  In the beginning this film has the same feel as a spaghetti western or samurai film. It follows three mercenaries that you don’t know much about and are unsure if they’re bad guys or good guys. The one thing that is certain is that they have a very close bond. It’s almost like they’re antihero Three Musketeers. The audience is given just enough about each of them to know what their role in the group dynamic is. What does become clear is that their leader Chaka (Yann Gael) is hiding something and that something might get them all in deeper trouble. What’s really fun about Saloum is the turn at the back third of this film. It’s reminiscent of the turn in From Dusk Till Dawn. The film turns into a horror film based on the lore of the region that works very well. What’s impressive is how the film is able to weave this in without feeling rushed or forced. In fact the turn actually fits in very well with the saying at the very beginning of the film “Revenge is like a river whose bottom is reached only when we drown.” Saloum is definitely something to checkout as is anything else coming out of Lacmé Studios. Follow more of our Toronto Film Festival 2021 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork

TIFF 2021: Saloum - Movie Trailer Reviews

Something super strange is afoot; for the first time since I was child, there's real competition in the world of professional wrestling. This week, the internet's favorite...or least favorite tweeter Cam is here to talk all things rasslin, and to preview AEW's most recent crowning achievement - Grand Slam. Guest: Cameron Hawkins - @CeeHawk   Like what you hear? Subscribe so you don't miss an episode!     Follow us on Twitter: @Dpalm66 @UDPod @TheMTRNetwork Want more podcast greatness? Sign up for a MTR Premium Account! Check out our Sponsors! TweakedAudio.com using the code ‘reviews’ to get 33% off & free shipping. Shop at our Amazon Store to support the site  

AEW's Grand Slam - Unanimous Decision #210

Out of Sync tells a compelling story story about a woman that finds herself slowly falling out of sync with the world both mentally and physically. It’s a good story about how a person can feel their world closing down around them but not realize that those close to them love and support them if they would accept the help.  Marta Nieto does a great job playing the unnamed lead character as detached from those around her and standoffish. She plays a sound editor whose personal life is a mess (her ex & his wife need her to vacate the apartment she’s in) and realizes that her hearing is falling out of sync. Add to that her mother has a secret about her upbringing that could be the key to what’s happening to her. What's really great about this film is that the characters you would expect to be terrible and mean, aren't. The main character thinks no one really cares about her but the opposite is revealed. She has plenty of people that care about her if she lets them. Instead she's purposely cut herself off from the world and that's led to this situation where she's now completely falling out of sync. The sound editing in Out of Sync is outstanding. As the lead character falls more and more out of sync with the world, the delay in sound becomes more pronounce. It starts off subtly with the sound being just off slightly. Then the delay becomes longer and longer. It adds to some great moments in the film. Usually having a film being out of sync, isn't a desired effect but in this case it really does work. And honestly in some scenes it really takes some skill. Out of Sync isn't the film for everyone but it's definitely worth checking out. The subtitles in the film actually help, especially with the delay in some oof the audio. If you can sit through that, then this will be right up your alley. Follow more of our Toronto Film Festival 2021 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork

Out of Sync - Movie Trailer Reviews

How would society react if people started getting predictions that they were set to die and be bound to Hell that came true? That’s the basis for Hellbound. And the first episode opens up showing just how serious it can be. Giant smoke “Hulks” show up and chase a man out of a coffee shop and then beat him to death in the middle of a busy street. Then they perform some kind of “ritual” that leaves only a smoking pile of ash behind. This intense scene happens before the credits even roll and does a good job of setting the stage for the rest of the first 3 episodes.  Hellbound uses the supernatural as a method to tell a story about how society reacts to events that they don’t really understand. Considering what we’ve been dealing with when it comes to COVID and a global pandemic, it comes off as very relevant. First, there’s how religion is used to try to find meaning in things that are happening. There’s a cult in this series that tries really hard to act like they’re not a cult but is clearly a cult. Hellbound uses the idea of “sin” to try to explain away how these things are happening. Obviously if people are being bound to Hell, then clearly they deserve it. There must be a reason for it and so there becomes a national interest in finding out what secrets these people are hiding.  The first three episodes unfold in a way that really suck the audience in. There are moments that almost feel like cliffhangers but aren't even the end of the episode. As things start to get revealed, more questions come up. The third episode really starts to show what's really going on and could even be a good ending if this was a film and not a series. A Netflix release date for Hellbound hasn't been given yet but when it does, it is definitely worth checking out. Follow more of our Toronto Film Festival 2021 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork

Hellbound - Movie Trailer Reviews

The Guilty is one of those films that feels like actually benefited from COVID restrictions. Any other time and this film would have gone too far into showing us car chases and big set pieces. Even worse, it would have turned this film into a cop propaganda film that happens so often when a police officer that is clearly unhinged is somehow made into a hero. Instead what we got was an intense thriller that plays on the concept of police jumping to conclusions and how that can lead to dangerous situations. There are several things that really work for The Guilty. First and foremost is Jake Gyllenhaal. Gyllenhaal might be one of the latest set of celebrities to dry snitch on themselves when it come to their questionable hygiene habits but the man can still act his ass off. Playing demoted and clearly troubled officer Joe Bailey, Gyllenhaal captures completely frantic and out of control nature of a police officer that should never have a badge and a gun. Intensity is something Gyllenhaal always brings to his characters and his Joe Bailey really channels his Louis Bloom character from 2014's Nightcrawler. He's very unlikable and clearly shouldn't be working dispatch much less being a cop with a badge. But he also serves as a great vantage point for how dangerous it is for cops to try too hard to dictate situations and jump to conclusions when they don't have all the facts. The rest of the cast is also well suited for this film. Most are not visibly seen (due to Covid restrictions) but still do a great job helping to bring the story together. Da'Vine Joy Randolph plays a CHP dispatcher who routinely reminds Officer Bailey he doesn't have the authority to tell her or anyone else how to do their job. Its a much needed performance that serves in contrast to Bailey's ego and need to play supercop. Peter Sarsgaard and Riley Keough also give great performances that help drive the level of urgency in the film. Also, like Randolph, they do a great job playing off of Gyllenhaal and help enhance his performance since all of their interactions happen through the phone. This is a huge reason why this film works so well. Usually films do better when they “show instead of tell” you what’s happening. However, in The Guilty, hearing what’s happening without actually seeing it works to the film’s advantage. It puts the audience right there in the seat with Officer Bailey with a  little sense of hopelessness because just like him, there’s nothing you can do but sit and wait for someone to explain what happened. this increases the tension in the film and really draws the audience in. It also makes the film feel like there are real stakes. More importantly though, it shows how context matters and that when you’re only one the receiving end of information, it's easy to jump to conclusions that could have devastating consequences. The Guilty has suspense, tension and a sense of urgency that all make this a film worth checking out. Even better, it also shows how the “super cop” on the police force isn’t a good thing for public safety and doesn’t shy away from it.  The Guilty will release in select in select theaters on September 24 and on Netflix October 1. Follow more of our Toronto Film Festival 2021 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork

TIFF 2021 Review: The Guilty - Movie Trailer Reviews

Season 6 of Legends of Tomorrow was great. Particularly the final run of episodes. Its weird to say this about an episode where Mick becomes the father of alien-human squid babies, a giant alien mushroom protecting the earth from alien invasion, John dying and becoming a mushroom (and more ridiculousness) but this was probably the least ridiculous Legends finale we've seen. Part of that is because this season did a really good job of tying all the themes together. Especially with Spooner. She was a bit annoying for most of the season but the show did a great job pairing her with Astra the last few episodes really worked. Also the reveal about her origin and mother also worked well.  This was also the best send off for two Legends. First, it was nice to see Mick settle down and complete his arc. The moment with him and Sara sharing a beer and reflecting on their time was a good reminder of how far they've come. Then there was John. Still the bastard he's always been. It also leaves the door open for him to return. Or even better, for him to end up in a live action movie. There really is no need to find another John Constantine. Overall we really loved this season and look forward to the new season starting next month. Kriss and Dpalm record the Mailbag at the end of every month. If you want to send in your own questions and thoughts, email us: Mailbag@MTRNetwork.Net   Like what you hear? Subscribe so you don't miss an episode!   Follow us on Twitter: @Dpalm66 @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic:  https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!

Legends of Tomorrow S6E14 & 15 Review Do What Sara Wouldn't Do - Super Tuesday Recap

I have so much fun beating Mike in NBA Over/Unders each fall that we've decided to extend the game to the NFL. Sure, there are fewer games, but that will only make this beating of my friend oh so much sweeter. Guest: Nata - @NataTheScribe   Like what you hear? Subscribe so you don't miss an episode!     Follow us on Twitter: @Dpalm66 @UDPod @TheMTRNetwork Want more podcast greatness? Sign up for a MTR Premium Account! Check out our Sponsors! TweakedAudio.com using the code ‘reviews’ to get 33% off & free shipping. Shop at our Amazon Store to support the site  

NFL 2021 Winners and Losers - Unanimous Decision #209

I honestly thought the idea of an emergency pro wrestling podcast would be limited to a disaster, but once again Tony Khan and company have proven me wrong. If you liked pro wrestling as a kid, AEW is the product for you. And All Out proved that beyond a shadow of a doubt. Guest: Aaron - @ANSFreeman   Like what you hear? Subscribe so you don't miss an episode!     Follow us on Twitter: @Dpalm66 @UDPod @TheMTRNetwork Want more podcast greatness? Sign up for a MTR Premium Account! Check out our Sponsors! TweakedAudio.com using the code ‘reviews’ to get 33% off & free shipping. Shop at our Amazon Store to support the site  

RambleMania 2K19 - All In on All Out #208

It's time for another Mailbag. This month we didn't get any new listener emails but that's okay since there was a ton of news to talk about. This is the time we usually see San Diego Comic-Con, D23 and other convention news. We had a bunch of much anticipated trailers from Marvel drop (Eternals and Spider-Man No Way Home). We also talk about a trailer we didn't talk about last time in Venom 2. Hey, it at least looks better than the first movie. The Suicide Squad might not have had a big box-office, but its the most watched DC film on HBO Max. Also coming soon to HBO Max, a Black Canary movie. At least that's what's been announced (You know how WB/DC is on follow through). On the comic side, Marvel has announced an exciting upcoming roadmap that has some upcoming stories that seem to elevate certain characters we might be seeing in the MCU. The Fantastic Four will be involved in The Reckoning War which Dan Slott has been hinting at for 15 years. Kang will be at the center of Timeless. And Jason Aaron is doing a multiverse Avengers. Wonder why.  Like we said, there's a lot to discuss this episode so sit back and enjoy.   Kriss and Dpalm record the Mailbag at the end of every month. If you want to send in your own questions and thoughts, email us: Mailbag@MTRNetwork.Net   Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Dpalm66 @InsanityReport @TheMTRNetwork Want more podcast greatness? Sign up for a MTR Premium Account! Our shirts are now on TeePublic:  https://teepublic.com/stores/mtr-network

News Dump - Mailbag #45

On the anniversary of this here podcast, we are back with another Labor Day punctuated with a conversation with my dad. UGA won to kick off an energized - if contagious - atmosphere for week 1, how the NIL has changed the game for our beloved HBCU football, the swarming Ohtani hive, and the real live star that is Trae Young. Guest: Poppa Palmer   Like what you hear? Subscribe so you don't miss an episode!     Follow us on Twitter: @Dpalm66 @UDPod @TheMTRNetwork Want more podcast greatness? Sign up for a MTR Premium Account! Check out our Sponsors! TweakedAudio.com using the code ‘reviews’ to get 33% off & free shipping. Shop at our Amazon Store to support the site  

Labor Day Tradition - Unanimous Decision #207

We're finally back to our series covering Jonathan Hickman's Marvel runs. This time we're revisiting his great Fantastic Four run. We start first with the Dark Reign mini-series and then cover issues 570 to 588 in Fantastic Four. The great thing about reading a Hickman run is when you go back to read it and realize he's laid the groundwork for the next series he's going to write. Throughout the beginning of his FF run we see the seeds of what Hickman will do when he starts his Avengers run. The Dark Reign mini-series gives us an important foundation for the rest of Hickman's FF run. First, it reveals that Franklin's powers are back when he uses a toy gun to shoot real bullets at Norman Osborne. Then there's Reed building and using the Bridge which will come into play in Hickman's Avengers run. It also introduces The Council of Reeds. More importantly though, this series digs into Reed Richards obsession with "solving everything" and his hubris of "I alone can fix it". The main Fantastic Four run picks up with where Hickman left off in Dark Reign. We also get the reveal of why the 616 Reed Richards is the best Reed: Because he still had his father. We see the results of what happened in the SHIELD series with Nathaniel Richards. Hickman takes it a step further with The Great Hunt, that saw the Nathaniel Richards from all realities hunt and kill each other until only one remained. What's funny is that this story is something we've just seen told in the Loki series. We also get Val revealing to be smarter than her dad, Nu-World, the emergence of the Four Cities, the creation of the Future Foundation and more. This episode ends with the emotional issues of 587 and 588. 587 sees the last stand and death of Johnny Storm while 588 is the emotional silent issue with the aftermath of his death. We'll be back to wrap up this run in September. Then after that we'll be moving onto Hickman's Ultimate run and then eventually...Avengers & Secret Wars. Stay tune and remember: Issues: Dark Reign: Fantastic Four #1 - 5 Fantastic Four #570 - 588 Fantastic Four by Jonathan Hickman Volume 1 Fantastic Four by Jonathan Hickman Volume 2 Fantastic Four by Jonathan Hickman Volume 3 Fantastic Four by Jonathan Hickman Volume 4 Like what you hear? Subscribe so you don't miss an episode!   Follow us on Twitter: @Dpalm66 @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic:  https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!  

Into the Hickmanverse: Fantastic Four Part 1 - Character Corner #94

Legends has been on a roll with these last few episodes. This show has always done a great job of juggling the ridiculous with the serious and giving us great character development and this episode highlights that. Everyone (the audience and the Legends) know that Bishop can't be trusted yet the show does a great job bringing that into doubt. First with him really getting to Ava and second after he saves Mick. And while we still don't know his new end goal, we see this whole episode was just so he could get a comm device and tempt Constantine.  Also, as we've been saying, the Constantine addiction arc has been really good. They really do a great job of showing the toll addiction takes on a person. It helps that this feels like a natural conclusion for the Constantine arc we've seen develop since the NBC show. We look forward to how they will wrap all of this up. We're going to to combine the review for the next two episodes so we'll be back to wrap up this season in 2 weeks. Kriss and Dpalm record the Mailbag at the end of every month. If you want to send in your own questions and thoughts, email us: Mailbag@MTRNetwork.Net   Like what you hear? Subscribe so you don't miss an episode!   Follow us on Twitter: @Dpalm66 @InsanityReport @TheMTRNetwork Our shirts are now on TeePublic:  https://teepublic.com/stores/mtr-network Want more podcast greatness? Sign up for a MTR Premium Account!

Legends of Tomorrow S6E13 Review - Super Tuesday Recap

Candyman suffers from an inconsistent script, wrapped in a beautifully shot film with a great cast that is going to leave audiences either absolutely loving it or feeling like it didn’t live up to expectations. On the surface, everything is there to make this a film that should be universally loved. Director Nia DaCosta embraces the lore of Candyman and attempts to wrap it in an updated and modern tale. There’s been some talk that (wrongly) associates Candyman with “black trauma porn” and that is just false. Candyman has always been more than that. Yes, Tony Todd’s Daniel Robitaille meets a tragic and violent end at the hands of racist white people, but this series has always been more about Robitaille being the Boogeyman and being a Black centered horror franchise. It’s more about revenge and, to be blunt, when white people don’t take Black people serious when they talk about not disturbing the dead or respecting the history of a space they’re invading. DaCosta takes that and adds to it by connecting the tale to modern day Chicago and gentrification and overpolicing.  The biggest problem Candyman faces is the lack of focus on what story it’s trying to tell. It becomes very obvious there were two directions that written and the final product was a mash up of both that ends up with an ending that on paper is good, but isn’t earned. There are three distinct acts in this film and each act feels like it had its own writer that had a different idea of the overall story that should be told. The result is several good paths the film goes down never being fully fleshed out. Instead we get throwaway lines that are easily missed (the significance of Brianna Cartwright’s father and his tragic end) or painfully underused actors in good scenes that should be used more (Vanessa Williams is criminally underused). When the end of the film comes, it comes with a sense of satisfaction that quickly fade away because of how hollow it is due to being rushed in the third act and thereby being unearned. It honestly felt like there was more focus on making sure this could turn into another set of future movies instead of making sure the end was earned. Candyman’s story never equals or exceeds the talent of the cast put together. On their own, each does what they need to. Yahya Abdul-Mateen II is clearly a star that is going to continue to shine. Funny enough, both have superhero titles in their future with Abdul-Mateen returning for Aquaman 2 and Teyonah Parris showing up in The Marvels (and teaming bak up with DaCosta who will be directing). Individually both are fine but have very little onscreen chemistry which is always tragic when you have two beautiful people on screen and yet they just have no energy together. Colman Domingo outacts everyone (no surprise) but again, feels underused up until the rushed third act. Overall there will be many audiences that are satisfied with Candyman as a film. The lack of a consistent voice in the script and unearned payoff at the end will be overshadowed by the well shot scenes, two less and overall intentions the story has even with the flaws. Regardless of how audiences feel, this film will definitely generate conversations and help propel those involved into bigger and better things.   Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  

Candyman - Movie Trailer Reviews

The MTR Network, your source for News, Politics, Sports, Social Commentary and Reviews on the latest TV and Movies. We are a network of wide ranging topics and hosts. There’s something for everyone