Character Fabricator Supervisor Bonita De Carlo
Bonita was in charge of getting every single puppet completed and ready for animation - a mind boggling amount of work. She tells us all about it.
Effects Animator Gordon Baker
Ghosts, smoke, fire, stars, snowflakes, and obsolete techniques.
Character Fabricator Elise Robertson
Sewing, painting, dressing, and bringing every single puppet to life.
Animator Stephen Buckley
Henry Selick, Art Clokey, Peter Jackson, Marilyn Manson, motorcycles, breast feeding, Excederin, Gumby, cotton ball clouds, and of the course the beau...
Camera Assistant Carl Miller
Carl takes us on a Skellington journey through the lens of a possibly irradiated camera. Collaboration, multiple camera crews, multiple set ups, in-ca...
Stage Hand Kirk Scott
Twenty four stages all running at the same time. Who kept all that in order? Kirk for one.
Artistic Coordinator Allison Abbate
Allison somehow kept the entire Art Department on track - an enormous job. She tells us all about it.
Interview with Camera Operator Pat Sweeney
Camera problems, motion control problems, animator problems, set problems, and margaritas.
Interview with Mold Maker Michael Jobe
Mold Maker? What's that, and why do we need one on a movie? Mike fills us in.